The Curse or Karna by T.P. Kailasama
This blog is part of the reflective task given by Megha ma’am, where I express my own views and personal responses to the questions she asked.
Karna - The voice of Subaltern
In the Mahabharata, Karna is one of the most tragic and complex figures. Both K. Kapoor’s critical essay “Karna (the Unsung Hero of Mahabharata: The Voice of the Subaltern)” and T. P. Kailasam’s play The Curse or Karna highlight his identity as a silenced and marginalized hero. Karna represents the subaltern because his voice, merit, and struggles are repeatedly suppressed by the dominant social and political order of his time.
Thus, Karna stands as a powerful symbol of the subaltern voice in Indian literature. In Kailasam’s The Curse or Karna, he is not merely a warrior but a tragic emblem of how society erases the voices of those who challenge its hierarchies. Karna’s silence, loyalty, and suffering all make him a timeless representative of the marginalized — a hero whose story reflects the struggles of the subaltern across ages.
Thus, Kailasam portrays Karna as a tragic hero whose life is marked by both moral conflict and hamartia. His struggle between righteousness and loyalty, and his fatal flaw of unshakable devotion to Duryodhana, lead to his destruction. Karna is not ruined by weakness but by the rigid social system and his own tragic choices, making him a true embodiment of classical tragedy—noble, yet fated to fall.
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